Mississippi John Hurt
Stagolee
Mississippi John Hurt recorded his version of "Stagolee" in December 1928 for the Okeh label in New York City. Hurt's rendition is widely regarded as one of the most memorable and influential versions of the classic folk ballad about the notorious figure Stack Lee (often spelled "Stagger Lee" or "Stack O'Lee"), a man who, according to the song, shot Billy Lyons over a dispute involving a Stetson hat.
Hurt's version of "Stack-O-Lee" is characterized by his gentle, fingerpicking guitar style and his smooth, laid-back vocal delivery. Unlike many blues artists of his time who played with more aggressive or mournful tones, Hurt's approach was distinctly mellow and melodic, which set him apart. His intricate guitar work in "Stagolee" features alternating bass notes and syncopated rhythms, which created a rich, rolling sound that complements the storytelling aspect of the song.
The relaxed and seemingly effortless nature of Hurt's playing contrasts with the violent subject matter of the lyrics. His version of the song gives the dark tale an almost reflective or resigned quality, which makes it all the more compelling. The narrative unfolds calmly, telling the story of Stack Lee's confrontation with Billy Lyons, emphasizing both the inevitability of the tragedy and the mythic quality of the characters.
Mississippi John Hurt's "Stagolee" retains many elements of the folk tale, recounting how Stack Lee shot Billy Lyons in a saloon after an argument. The lyrics convey a sense of fatalism and inevitability, portraying Stagger Lee as a feared and somewhat legendary figure. Hurt's rendition includes vivid details, such as Stagger Lee's fancy hat, which serves as the catalyst for the deadly confrontation, helping to immortalize Stack Lee's image as a cold, uncompromising character.
Hurt's calm, almost conversational storytelling draws listeners into the narrative, making them feel as if they are hearing a first-hand account of the legendary event. His vocal tone is not accusatory or overly dramatic, which adds to the sense that this is simply a story about human nature, power, and pride—common themes in folk and blues traditions.
Mississippi John Hurt's 1928 version of "Stagolee" has had a lasting impact on the song's legacy, influencing countless artists who have covered or adapted the tale in the decades since. His gentle yet rhythmic guitar playing became a hallmark of the country blues style, and his version of "Stagolee" is often considered one of the definitive renditions of the song.
After his rediscovery during the 1960s folk revival, Hurt's recordings became highly influential in both the blues and folk music scenes. His unique style inspired musicians such as Bob Dylan, Taj Mahal, and John Fahey, who admired his skillful guitar work and ability to tell stories through song.
Mississippi John Hurt's 1928 recording of "Stagolee" stands out as a masterful blend of intricate guitar playing, understated vocals, and compelling storytelling. It is a key part of the Stack Lee mythos, presenting the tale in a reflective and musically captivating way that has resonated with listeners for over a century.
Lyics
D
Policin’ officer how can it be
G D
You can arrest everybody but cruel Stagolee
A D
That bad man, oh cruel Stagolee
Billy Delyones and Stagolee, gamblin’ in the dark,
Stagolee threw seven, Billy claimed he threw eight ....
Billy de Lyon told Stagolee please don’t take my life
Says I got two little babes and a darlin’ lovin’ wife
What I care ‘bout your two little babes, your darlin’ lovin’ wife
Said you done stole my Stetson hat, I’m bound to take your life
He’s a bad man, oh cruel Stagolee
Gentlemens of the jury, what you think of that
Says Stagolee killed Billy de Lyon ‘bout a five dollar Stetson hat
He’s a bad man, oh cruel Stagolee
Boom boom boom boom with a forty-four
When I spied poor Billy de Lyon, he was lyin’ down in the floor
That bad man, oh cruel Stagolee
Standin’ on the gallows, Stagolee did cuss
The judge said let’s kill him before he kills some of us
He’s a bad man, oh cruel Stagolee
Standing’ on the gallows with his head way up high
At twelve o’clock they killed him, they was all glad to see him die
He’s a bad man, oh cruel Stagolee
Police and officers how can it be
You’ve arrest everybody but cruel Stagolee
That bad man, oh cruel Stagolee