Stagger Lee

Robert "Hogman" Maxey was a Louisiana blues musician celebrated for his powerful voice and traditional blues guitar style. He gained recognition during the folk and blues revival of the 1960s, known for his authentic delivery of classic blues narratives. Among his notable performances was his version of "Stagolee."

Maxey’s rendition of "Stagolee" was deeply rooted in the country blues tradition, featuring his vocals accompanied by simple, rhythmic guitar. Maxey's vocal delivery was intense and passionate, effectively capturing the tension of the confrontation. His raw, unpolished voice added an authentic edge to the story, portraying Stagolee as both ruthless and complex.

Maxey’s interpretation stayed true to the roots of the blues tradition, embodying the harsh realities and moral ambiguity that define the story. His version fits well within the blues revival movement of the 1960s, which aimed to reintroduce traditional blues to new audiences. Maxey's authentic storytelling style resonated with listeners, bridging the gap between the original blues artists and a younger generation discovering this rich musical heritage.

I was standin' on the corner when I heard my bulldog bark
He was barkin' at the two men who gamblin' in the dark

It was Stagolee and Billy, two men who gamble late
Stagolee th'owed seven, Billy swore that he th'owed eight

Stagolee told Billy, "I can't let you go with that.
You have winned my money and my brand new Stetson hat."

Stagolee went home and he got a .44
Says, "I'm goin' to the barroom to pay that debt I owe."

Stagolee went to the barroom, stood four feet from the door
Didn't nobody know when he pulled his .44

Stagolee found Billy, "Oh, please don't take my life.
I got three little children and a very sickly wife."

Stagolee shot Billy, oh, he shot that boy so fast
Well, the bullet came through 'im and broke my window glass

Some folks don't b'lieve, oh Lord, that Billy dead
You don't b'lieve he gone, just look what a hole in his head